Joyland

a hub for short fiction

New York

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Joyland Retro 2 is now in print, with work from Peter Orner, Kate Durbin, Daniel Mueller and more. Every copy sold will help support Joyland and its authors.
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Come When You Call Me

At eight o’clock in the morning, Alyssa shows up at Danny’s apartment door with a stack of bright yellow flyers. He has not seen her in three months, since the day she moved out. Two new wrinkles appear between her eyebrows; new creases fold around her mouth as she looks past him into the living room. Her cheeks have grown sharper, her shoulder bones more prominent, her hair longer and darker and not as well kept. She is more beautiful now, although in a dangerous, unpredictable way that Danny is not sure he likes.

She wears a batik sundress, one he remembers, a favorite, and large copper disk earrings that look painfully heavy. Sweat collects along her forehead, and he can smell the amber coming off her skin. She uses a real stone, kept in a little wooden box, which she rubs across her wrists and neck every morning. He has searched for her scent in the grocery store, on the subway, on dates with women he never calls back. No one else smells like her.

Bartleby 2000

I caught a glimpse of him as he was leaving the office, though I’d been trying to avoid him. The building security man, in blue blazer, stood off to his left, hands folded respectfully in front of him like a funeral director receiving the bereaved, but ready to reach out and steer his charge if necessary. Bartleby shuffled forward unsteadily, as if suddenly, after sixteen years, unsure of the way out. His large, rounded shoulders were hunched, seemingly weighted down by his dull khaki raincoat. One hand held a canvas briefcase bulging with personal items; the other gripped an umbrella that abruptly opened up in front of his knees. Mumbling apologies to his escort, he fumbled to close it, and I cringed for him—one more indignity before he’d even reached the elevator bank. Then they turned a corner and he was gone.

Pangaea

Jeanie stared into the drawer beside her bathroom sink at all the foil disks ringed by plastic teardrops, each teardrop containing a tiny pill. She pulled a disk from the drawer and placed it in the flesh-coloured compact on the edge of the sink. She pressed one pill through the back of the foil and through the back of the compact, then looked into the mirror as she swallowed. Pivoting on one brown suede pump, she opened a second drawer. She was alarmed by the number of contact lenses she had accumulated, and by their variety. There were clear ones, and tinted ones, and ones that would make her eyes (naturally brown) seem icy blue, or evergreen, or eerie, steely grey. One pair, unopened like the rest, she was certain would make her look like a cat.

Jeanie returned to the first drawer and counted the disks. Fourteen. Enough birth control for one year, two months. That’s when Jeanie realized she was planning to quit her job.

Summer of Hate

excerpted from the forthcoming novel Summer of Hate

PART ONE: 2005

1/CATT: HER KILLER

There are some people who like feeling like they’ve arrived at the end of the earth, the opacity of an alien place.

Catt stands outside her room at the Villa Vitta Motel. A slight western breeze off the Gulf flavors the desert morning with promise – a promise Catt knows will seem like a distant memory in the harsh glare of 11 a.m. She’s wearing the same clothes she dropped on the floor after arriving last night – a brown gathered skirt and a cardigan sweater, her “Mexican” clothes – not that these clothes are especially ethnic, but when she’s in Mexico she puts on whatever things she pulls first out of her bag. Catt drove down here in a rush. Her black shoulder-length hair is pulled off her face with a sweatband she found in the gym bag she forgot to unload from her car.

The Value of Certain Things

No peach. Also, no roses. Peach roses reminded Ann of dead people, of her dead grandma. Ann's mother, Mona, was building the bouquets for the wedding. Mona's ‘disease’ would fall away with the clipped blossoms. This would be good for her. ‘Chronic pain’ was just self-flogging anyway, a brittle prison created by guilt.

Ann admitted to her fiancée, the best veterinarian in Napa Valley, that if her mom’s florist skills failed to impress his parents—much more classy in their wine country florals than Mona and her bedenimed third husband—it would sting more than anything Mona’s ‘fibromyalgia’ could inflict.

The Man With the Divided Back

excerpted from the forthcoming novel The Man With the Divided Back

There are only three cities in North America which can claim to be the location of a presidential assassination and Buffalo is one of them. In 1901, Buffalo hosted the Pan-American Exposition, and instead of being remembered for its exciting display of electric lights, its fabulous exhibition posters which have since become vintage collectors items, or its carefully designed buildings, gardens and walkways, it became known as the place where President McKinley was shot twice and subsequently killed by a very thin and quite angular anarchist from Detroit named Leon Czolgosz.

The Other Internet

On the Other Internet there’s no “www.” There’s no such thing as URL’s or menu bars or web searches or any of that. You just close your eyes and whisper, very softly, what it is that you wish to browse, and then it appears, broadcast onto the backs of your eyelids, as though they were the screen in the very, very intimate drive-in of your head.

Over on the Other Internet they’ve got a cure for sadness, available for download (zipped files). There’s a 30-day free trial; if you like it you can sign up for life. This also is free. Everything on the Other Internet is free. You will be happy because of this, financially, and also in a deeper, emotional sense because once you register the software you will never be sad, ever again.

Junk mail is rare, but if you do inadvertently receive some it will have the subject, “Sorry, this is junk mail. Please do not open. My bad, yo. My bad.”

Skin

Tonight, before they cross the street to their neighbors’ house, Tommy and Margo wrap their seven-year-old boy, Caleb, in his winter coat and mittens and hat until he is not their son but a bundle of clothes in the shape of a boy. The wind carries the snow across the yard, thin, powdery curls snapping in the air, an angry cold. “It’s just a short walk,” Margo tells her son, who squirms inside the clothes, embarrassed that this much fuss is being made over him. “And it’ll be worth it,” his father says, patting the boy’s coat to reassure himself that his son is inside. “We’re gonna have fun.”

Come As you Are

from a feature film in development with Existential Crisis Films written with Brock Konig Brock. www.brucelabruce.com

EXT. MEXICO - DAY

The naked body of a handsome young man with short blond hair suddenly lands hard on the ground in a cloud of dust.

This is Steve.

He looks around him. Several men with moustaches and/or sombreros look at him with disinterest from their spots in the shade.

Steve picks himself up and starts beating on the door out from which he was thrown.

STEVE

At least give me my jeans!

The door suddenly opens. Out. Knocking Steve back to the ground and bloodying his nose.
A pair of jeans is thrown and lands on him.

As Steve struggles to pull them on under the unfriendly gaze of the moustachio'd men, the door opens again and he is thrown an oversized and somewhat comical cowboy hat.

INT./EXT. DESERT HIGHWAY

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