Joyland

a hub for short fiction

Vancouver

The Morrigan

Wren

Connected to the bog-land by a wooden causeway, the crannog roundhouse was ringed by rough, stout poles.  Wisps of smoke rose from its chimney, as it sat, squat and secure, built atop four crude juts of white stone, jutting onto the black bog-lake like a wheel cross. Beyond the bog-land, ash, beech, willow and cottonwood skirted a rill sparkling down from the greenmen. To the north, foothills of the greenmen rose, each taller than the last, stone giants heaving themselves up out of the earth, rounded shoulders trimmed in a wavering line of mist. 

Allhallows

Two days before Halloween, Ernie stood in the men’s room relieving himself on break. That’s when the clammy gray face of Troy Festerling, grill master, loomed into view. Troy belonged to that breed of men who liked to banter over the partition, like neighbors over a fence. Favorite subject: the “snatch” in the chow line. Ernie kept his eyes on the urinal screen and its built-in cake of deodorant.

“Ernest.”

“What?”

“Ernmeister.”

Despite himself, Ernie looked up. For some reason Troy’s face was listing toward his with a cocked grin. “I said, ‘What?’”

“Want to make some dough?”

Ernie bristled. He had only mentioned struggling with alimony once, in a rare moment of candor, yet here Troy was exploiting the knowledge. “How?” he asked resentfully.

“Special delivery.”

The Return

Illustration by Mark Hall-Patch

A week after visiting the hair salon, Michelle saw her blue dinosaur again. She’d had trouble falling asleep, because she was unused to the coolness of the pillow under her bare neck at night. For twenty-three years, she had slept on her back with her long, thick hair as an extra cushion. It was all gone now. Not quite all of it, but the crop-cut the hairdresser had created when Michelle allowed his scissors free reign still looked more like absence than style when she looked in the mirror. And it felt like absence when she lay down, waiting for the blood in her neck to warm the fabric beneath her before she could fall asleep.

Clothes Make a Man

Here is what I do: I drink a small vessel of sow’s blood. I do this quickly with my eyes closed, and tears come out of my eyes. Then I drink a large jar of water with a heaping tablespoon of salt. I do this not too quickly, so that I don’t vomit right away. Then I tell Stella to keep an eye on Lester infant and the girl, and I cinch up my vest showing the tops of my two white breasts, and I let my hair down a bit. Then I hurry down to the stony place behind the fish shop. Time is of an essence because of what is in my belly. Once there, I let Sonny (little Sonny with the burned face who is only ever steps behind me and is indeed much like a shadow) get us up a good crowd. At least 15 or 20. Sow’s blood is expensive, so I don’t want to waste it on a small crowd. Then there’s me, twirling and bavarading, the blood of the holy spectre spewing from my mouth. People love a good show, especially when it’s coming out of the maws of a profane thing like me.

Cry Baby

It is an early Friday morning. The alley is quiet except for the shopping carts and the rattling cans and bottles of the bottle collectors. This area is home to mostly apartment buildings, some large and high with swimming pools, others three-story walks-ups. All of the buildings are well-maintained with pleasant flowerbeds, manicured bushes, and healthy green lawns.

On this particular street, a large brown house is flanked by two low-lying apartment buildings. At one time, this was probably a grand house, belonging to an affluent family, but somewhere along the way, someone had the foresight to turn the house into apartments and the backyard into a parking lot for the tenants. The owners, a young couple with two school age boys, live on the main floor. The remaining apartments and rooms are rented to quiet tenants who don't smoke or have pets and who are willing to sign a year lease. Because this is such a good area, the owners can afford to be choosy.

Remarkable Unknown Short Men of Canadian History

Archibald Lewis Lee (b. 1830, Kingston, Upper Canada, d. 1899, Kingston, Ont.; 157 cm, 5’2”), personal secretary, speechwriter and dutiful assistant to Sir John A. MacDonald, first Prime Minister of Canada. Born in 1830 into a long line of shipbuilders, Lee rose above the dim prospects of his lower middle class birth to the maple-lined halls of power, albeit hidden somewhat in the darkened antechambers of history, as the right-hand man to the nascent nation’s first leader.

Obliterating History – a guitar-making mystery, domination & submission in a small town garage (excerpt)

When Frank MacLean hears his wife's car pull into the driveway, he logs off the online dating site and deletes his browsing history. He's gone south more than a few times to meet women in neighboring towns and each time he thought about how much easier every part of the process would have been if he'd been drunk. Trusting himself enough to meet at a bar, he instinctively set about to get the women drunk. Sometimes it worked just fine and other times the alcohol was what derailed the thing. Some women didn't appreciate Frank trying to get them drunk in a hotel bar while he stuck to ginger ale. One of them came right out and said he was quite a bit older and shorter than his profile said.

Being married ten years puts Frank at a disadvantage. He cannot post a photo and evidently, not posting a photo tells women that he's ugly, married or both.

The Last Dance

Oumar towers over me, takes my sweaty white palm in his gentle hand, and leads me onstage. We’re in a packed theatre somewhere downtown, I have no idea where. The glare of the stage lights cocoons us from the mesmerized audience. Oumar burns his charcoal eyes into mine as the theme song from “Flash Dance...What a Feeling” starts to play. We glide across the stage, and then he swings me around, spins me, lifts my feet right off the floor, his lips nearly touching mine. I float through the air like a cloud, the soles of my red and black plaid sneakers scraping the wooden floor. I close my eyes, try to block out the hundreds of peering eyes, and breathe. Inhale the scent of his sweat-drenched body as we move, two lonely hearts beating in tandem. Tonight, we hold the world in our hands.

The King Is Dead

“I’m taking my talents to South Beach,” the King said. Not to me, but to the Mayor. At least, that’s what Carl Gibson told me while we waited together in line at the bakery that morning. Carl was a good friend of the Mayor’s, they’d been neighbors for a while before the Mayor became the Mayor and moved into the house behind City Hall.

“I’m taking my talents to South Beach,” the King had said. According to Carl. “Tonight’s performance will be the last, and then I’ll be on my way.” Carl didn’t say if the Mayor had said anything back. If he had argued, tried to offer the King some reward for sticking around, or if he had just nodded and wished the King good luck.

The Blue Light Project (an excerpt)

A controversial talent show involving children is midway through taping when a man storms the television studio and takes over a hundred hostages. He’s armed with an explosive device, but expresses no motive and makes just one demand: an interview with journalist Thom Pegg. It’s a bizarre request, everyone agrees including Pegg. A disgraced former investigative journalist, caught fabricating sources, he’s down on his luck and working for a lad magazine in Los Angeles. Reluctant, but pressured by federal authorities, Pegg agrees to travel to the city in question and meet the hostage taker. In this passage, he’s just arrived and is waiting for his escort to take him inside the studio theatre.

THEY CHECKED PEGG INTO A HOTEL. A nice place. Crisp white lobby, staff liveried in chalk stripe.

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