ISSUE â„– 

04

a literary journal in multiple timezones

Apr. 2024

ISSUE â„– 

04

a literary journal in multiple timezones

Apr. 2024

Fourth of July

The South
Illustration by:

Fourth of July

In a few weeks, on the Fourth of July, you’ll be in Miami for fireworks and
ice cream. Under a smoky sky by the bay, vendors will sell teriyaki and
barbeque shish kabobs, rice and beans, fried plantains, corn on the cob.
Paper cups will tumble in the night breeze past palm trees, off asphalt and
grass and into the water.

You and three friends, sunburned from the beach, will wander through the
marketplace outside, then inside the multi-floor maze of bars, shops, and
restaurants, in search of cones, when Ally decides no, she wants gelato.
But, like, the good gelato.

On the way down escalators in search of good gelato, people below you
will begin to run. Slowly, at first, then quicker. Rain? Jen will
ask, frozen, as you watch families abandon merchandise and strollers, grab
children to run.

We have to get out—now—John will say, voice strained, as the four of you try to push
through the panic, people screaming, tripping down stairs. Sales girls in
the stores floors above and around you will pull down gates, turn away
people scrambling for safety. Your mind will race through 9/11, the
remembrance of bodies tumbling out of flaming buildings, the panicked last love you calls to families replayed over and over on the news. Stop, you’ll think. This isn’t a towering building, this doesn’t
happen here. All of you are, were, kids from the suburbs. In this
moment, you still feel like kids, terrified at the prospect of a nameless
threat.

You have never seen so much fear, up close, concentrated in one place. Your
mind races through the prospect of a shooter, bomb threat, explosion,
blood, bodies flung apart. Stop, you’ll tell yourself,
deliberately, as Jen reaches for your hand. It’s just a scare, whatever it is.

In the street, everything will glow orange from lamplights, the water black
and sparkling, a quiet calm. Vendors, still stationed, their stalls swarmed
minutes before, yell Pollo y plantanos!, waving meat on
sticks as you and your three friends, hands-linked, run together. You won’t
approach police, guns drawn, eyes distressed, hunched and peering from
around a trailer, or the ones ambling in, no rush, hands on their holsters
absently, chatting.

At the parking garage, hundreds of people will cluster at one entrance to
access stairs, elevators. The other doors are locked, someone will
say, angrily. You won’t feel safe there, in the crowd. You’ll tell John,
Jen, Ally, let’s just walk through the car port or get a cab. But John
wants his car, now, and Jen won’t leave him, says it’s not safe. We stay together, Jen will insist. Looking at the streets, jammed
with back to back traffic, you know that really, a cab will make no
difference.

So you wait, ask the man next to you if he knows what’s happening. He looks
Middle Eastern, holds a Nike satchel in his left hand, smirks, then smiles,
shaking his head. You glance and glance again at his bag, notice his calm,
different, it seems, from the panic around you. You hate yourself for this
dangerous paranoia, remember the years after 9/11, the raging fights
between your father and brothers, your dad demanding your siblings shave
their goatees. They’d been stopped in airports and pulled over by cops
again and again, even though your family is not Middle Eastern, identifies
as Indo-Guyanese. But even to you, their Saudi best friends look like part
of your family and they, yours: the same dark skin, the same thick wavy
hair and easy smiles.

At eleven, you remember the kids at school lumping Pakistani, Middle
Eastern, Indian, Indo-Guyanese, Indo-Trini, Indo-Jamaican kids all
together, interchangeably, white girls coming up, asking are you from
Pakistan, wrinkling their noses, confused that Pakistan is not, in fact, in
the Middle East, that you are not from Pakistan, that you are Indian, but
not from India. After each time, your best friend, a Hello Kitty collector,
asks if you want them jumped. No, you shake your head. But you start to
wear henna on your palms and wrists at school even when there are no
weddings, no reason. You wear dozens of colorful glass bangles on your
hand, slip a Shah Rukh Khan poster in the front of your binder. Khan, isn’t that like Muslim? someone will ask.

Outside the parking garage, a man will raise a cell phone in the air, yell Run! Shooter!, voice shaking with panic, and you, jolted to the
present, will feel the crowd break, shift. Jen will yell Stay together! as you struggle not to get separated in the mad
dash of hundreds shoving—the vulnerable, elderly and children, getting hurt
first. A baby is thrown out of a stroller, an elderly man is pushed aside
away from his walker, looks around, confused. It’s strange how when we
watch movies, crime thrillers for instance, how the mad dash of people
screaming after gunshots escapes our notice. Typically, we see the film,
that specific world, through the eyes of a hero and the mad scramble of the
less badass crowd, if we do take notice, is almost comedic.

The four of you run fast, get carried with the crowd, unsure of who or what
you’re running from—or toward. How can one tell with sound of fire crackers
going off indiscriminately, now here now there, across the city? It’s
unspoken, but all of you are thinking of the Orlando shooting. Less than
three weeks ago, 49 are killed in a nightclub in the city just hours away,
where all of you have gone to Disney, Magic Kingdom and Epcot, on
fieldtrips since childhood. Your parents have had a house there for years.
You’re thinking of sitting in your living room at eleven, over homework,
your parents watching the Beltway sniper attacks on TV, a man and teen
shooting at people from cars indiscriminately in Maryland, Virginia and
Washington, until they are caught.

Now, you’re thinking of Strozier Library at Florida State, where you worked
front desk security with other undergrads, snacking and texting, not taking
it seriously when kids forgot their IDs, how two years after you left,
a disturbed man, Myron May, entered with a gun, shooting three people. On
the news, you recognized one of the men shot, Nathan Scott, a library
worker you saw almost every day, who ran to warn others after getting shot
in the leg. Another student, Farham Ahmed is
shot twice, left paralyzed from the waist down, a bullet lodged in his
spine.

You look down to your phone. There are no updates on news sites,
nothing on Twitter or Facebook yet. You don’t know what this is, a
scare, something that’s happened, is happening, will happen? You run
and it seems like the whole city is running, unsure of what or who is
behind you. The cabs are filled, sitting in traffic, shops locked, the
people inside standing back from the glass. You are moving moving
moving, lungs throat burning, but barely feeling it. The next time
someone shouts Gun, run! you’re thinking please please please—

—God?
as an afterthought, but you are an atheist on most days, agnostic at best.

Edited by: Joyland Editors
R.D. Williams
R.D. Williams is a Guyanese-American writer born in Freeport, Grand Bahama and raised in South Florida. She lives in Tuscaloosa, Alabama and studies Creative Writing at the University of Alabama’s MFA program. She earned a B.A. is Psychology and Editing, Writing and Media from Florida State University and has previously worked as the fiction editor of *Kudzu Review*, coordinating nonprofit youth creative writing programs in Tuscaloosa and Tallahassee, and as a children’s autism therapist and a cultural immersion teacher. She often writes about the immigrant experience.